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Title

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Content

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From the editor

Professionalism, along with a developed personality, is a necessary component of successful development. This is especially true for such complex areas as culture and art. That is why our Institute takes an active part in the implementation of the Federal project "Creative people", the national project "Culture". On the basis of KGIK will be held regularly refresher courses for creative and managerial personnel in the field of culture.

S.S. Zengin

pp. 7-14

Science, born from the music (on the musicology of Russian composers in the twentieth century)

The work identifies three figures of composers who are actively engaged in both composing
and scientific creativity. These are Sergey Ivanovich Taneev, Yuriy Nikolaevich Tyulin and Boris
Vladimirovich Asafiev.

Keywords: musicology of composers, music theory, polyphony, harmony, musical form, intonation
theory, music pedagogy, composer’s creativity

T.V. Frantova

pp. 14-17

Formation of the English opera: historical aspect

The article discusses the stages of the formation of the opera genre in the English musical theater. The processes that influenced the specificity of the English opera, its stylistics are analyzed. The features of the English opera of the XX-XXI centuries are revealed.

Keywords: opera, ballad, comic theater, mask theater, ballad opera, H. Purcell, B. Britten, H. Birtwistle.

A.A. Predolyak

pp. 17-21

Modern domestic symphony in social context

The article is based on the statistics made by the author on the materials of Wikipedia and the website of the Union of composers of Russia. The work quantitatively demonstrates the decline of interest of domestic authors to the genre of symphony in the last decade in comparison with the symphonic works of the second half of the XX century – about 60 symphonies. This reflects, in the opinion of the author, changes in the social relevance of the genre, due to the influence of two mechanisms prevailing in the 90s: new funding for the philharmonics and the widespread use of pop music.

Keywords: academic music, symphonic works of Russian composers, listeners’ resonance of the genre, pop music.

M.S. Dyadchenko

pp. 21-24

Principles of suite form in orchestral music of darius milhaud

The article is devoted to the little-studied page of D. Milhaud’s work – his instrumental music. The author focuses on the problem of synthesis of genres, as an important style-forming feature of the composer ’s creativity. In a number of diverse genre mixes, the suite is a constant component affecting the overall style of orchestral compositions. Because of this, Milhaud’s orchestral music is considered in terms of influencing of the suite principle of the composer’s thinking. The essence of this phenomenon is analyzed in the article on the basis of the «Little Symphonies» chamber cycle, which vividly demonstrates the connection with the suite cycle.

Keywords: Darius Milhaud, suite, symphony, chamber symphony, «Little Symphonies».

M.S. Stusova

pp. 24-30

Musical image and means of its realization (on the example of the fourth symphony of paintings by Alexander Beloborodov)

The article reveals the concept of image in a musical work and considers the factors that determine the stability of the associative series created by the composer by referring to certain archetypal properties of the musical material. Archetypes of listeners’ perception are the main factor in the search for the correct reading of the artistic content. Their recognition helps to decipher sometimes difficult code to access the world of individual author’s worldview, to complex linguistic structures of modern composer’s thinking. On the example of the Fourth Symphony of paintings by Alexander Beloborodov the author traces the influence of programming, genre, instrumentation, drama, as well as the social context of the creation of the work on the formation of its image-associative space.

Keywords: image-associative space, archetypal properties, archetypes of perception, musical drama, instrumentation, programming, genre, musical themes, timbre, types of musical thinking, types of drama, composer Alexander Beloborodov.

V.I. Stachinskiy

pp. 31-36

Expressive opportunities of the instrument in the IXa sequence for the clarinet of solo L. Berio

The play for the clarinet solo L. Berio, whose work is associated with the development of the latest music of the last century, is considered. The modern writing techniques used in the play, new techniques and methods of sound extraction, various background possibilities of the instrument are revealed. The main regularities of phrasing, agogics, loud-dynamic balance of the composition, author’s recommendations influencing the creation of musical figurative content are determined.

V.A. Metlushko

pp. 36-39

Media forms of functioning of works for the russian folk instruments as reflection of trends of autonomous music

The article is devoted to identifying features in the functioning of music written for Russian folk instruments in text media forms. Based on the analysis of the music by N. Budashkin, V. Bibergan, D. Polevaya for films directed by A. Rou, A. Alyashev and O. Stefanova, it is proved that film music written for folk instruments, despite its specific features, follows the general trends of autonomous music, absorbing its stylistic features.

Keywords: applied music, film music, media text, Russian folk instruments, genre, folklorism.

E.V. Lygina

pp. 40-42

Gospel songs in american musical culture of the XX century

The article deals with the origin and evolution of the spiritual song genre of gospel in the American culture of the early XX century. The practice of social existence of the genre, its genre content, genre style is traced. The research materials are of practical importance for the content of the disciplines «history of pop-jazz music», «musical forms of pop-jazz music» taught at the university of culture.

Keywords: gospel, genre, evangelical music, spirituals, soul.

O.N. Beznisko, N.D. Zuev

pp. 43-47

Specifics of functioning of the modern domestic author’s song in postmodern society

The article is devoted to the problem of functioning of the author-performer in modern society, considered on the example of contrasting comparison of creativity of L. Muradova (Krasnodar) and A. Kuznetsova (St. Petersburg). Within the framework of postmodern aesthetics, vocal compositions of female performers represent different facets of the author’s song of the XXI century. As a result of the analysis, the main themes of poetry are articulated, the specificity of style, the features of the musical language of works are revealed. The issues of reducing the quality of creative material are considered, as well as the attitude of modern authors-performers to commercial success.

Keywords: modern author-performer, bard song, poetry, aesthetics of postmodernism, author’s song of the XXI century, stylistic synthesis, commodification.

A.E. Polishchuk, P.N. Babakova

pp. 48-53

Polystylistic trends in scenic genres on the example of the rock opera «Ksentaron’s legend» of the group «Epidemiya»

The article highlights the creative search of musicians in the field of music and performing arts, aimed at the synthesis of the literary genre of fantasy and modern rock opera. The paper explores the popular themes of rock operas, performing and instrumental composition, other components of the new musical and scenic action. On the example of analysis of the rock opera «Ksentaron’s Legend» put by «Epidemiya» – the Russian power-metal band, the trend of influence of a genre of fantasy on characteristic stylistic features of a genre of rock opera is considered. The study revealed that the basis of the rock operas listed in the work is melodic power metal, typical for the group «Epidemiya», but the conceptual creative task allows musicians to add and mix different directions of modern rock music, to put into action elements of symphonic rock and classical opera vocal. This stylistic device allowed to address the rock opera to a wider audience than the band’s work outside of this project.

Keywords: rock opera, fantasy, power metal, symphonic rock, scream-lead vocal, growling.

O.N. Beznisko, D.S. Karbulyan

pp. 54-57

Human existence in culture: experience of self-determination and search for meaning

The article provides a philosophical analysis of the existence of man and the formation of his essence in the experience of understanding the meaning of the existence of culture. A person can not be sure that he is a person, because his essence is not clearly established. Man creates and defines himself in culture. At the same time he is immersed in confusion and loneliness. These conclusions are based on the concepts of the great philosophers of Antiquity, Kant, Fichte.

Keywords: culture, essence, self-determination, freedom, human consciousness, creativity, loneliness, existence.

O.N. Yurechko

pp. 57-60

Culture of the ancient world in the discourse of modern cultural knowledge

The article studies the features of the culture of the ancient world in the discourse of modern cultural knowledge. The relevance of the study is due to the increased interest in the culture of the ancient world, which has become an ideal and authority not only for the Renaissance, but also for the entire world cultural process.On the basis of numerous sources its features are allocated, the subject and methods of studying are defined. The necessity of further research of this problem in the discourse of cultural studies is proved.

O.S. Lagutina

pp. 60-63

Transformation of views on the genesis of outstanding human abilities in the world outlook paradigm of the middle ages and renaissance

The relevance of the article is due to the need to consider the cultural aspect of the transformation of views on the genesis of outstanding human abilities in the light of their continuity in the cultural tradition of the two border ages: the Middle Ages and the Renaissance. The article analyzes the philosophical reflection on the phenomenon of human abilities, reveals the correlation of the concepts of «talent» and «genius» in two different cultures.

Keywords: abilities, talent, genius, Middle Ages, Renaissance, gift, theocentric and anthropocentric models of worldview.

V.A. Fomin

pp. 64-67

Visual presentation of youth in virtual space of social networks (on the example of «VKontakte»)

The article considers the symbolic (graphic) alias – avatar as one of the markers of youth presentation in social networks.The results of an empirical study to identify the attributes and the users’ avatars with regard to the social context are presented.

Keywords: photo, social networks, virtual presentation, youth culture, network generation.

A.Yu. Melnikova

pp. 67-75

To the problem of conceptualization of art busines and art capital

In the article questions of conceptualization of art business, features of business processes in the field of art business and generated forms of capital are considered.

Keywords: art business concepts, features of business processes in art business, art capital.

A.V. Kudinova, S.A. Morozov

pp. 75-78

Sosial and philosophical preconditions to unification of business communications

In article the problem of unification of language of business communications is comprehended in the context of a social and philosophical research. In aspect of a problem its prerequisites are analyzed: domestic economic, technological. The main reason for the called unification – reaction to the information environment in which communicative activity is carried out is established. Both positive impulses in unification of communications, and existential risks which pose in themselves threat to identity of the person are defined.

Keywords: communication, socio-cultural environment, unification of linguistic structures.

E.V. Bershadskaya

pp. 79-82

Stylistic interpretation of folk songs as a phenomenon of Russian musical culture of the XX-XXI centuries

The article is devoted to the forms of stylistic interpretation of folk songs characteristic of Russian music from the second half of the XVIII century to the present day. The concept of interpretation and its various forms formed at interaction of rural and city musical culture is considered.

Keywords: folklore, folk song, interpretation, arrangement, processing, performing, stage.

S.A. Zhiganova, D.V. Kozub

pp. 82-87

Fate of the child prodigy: K.M. Dumchev

The article is devoted to one of the outstanding representatives of the Don Cossacks in art, which was the violinist Konstantin Mikhailovich Dumchev. The name of this remarkable musician thundered in the last decade of the XIX century and in the first decade of the XX century. The work highlights and clarifies information, related to the artist’s biography and his concert activity. For the first time, the essence of the giftedness of that category of children, who are called prodigy, is revealed. The causes of creative crises in children prodigy are revealed, based on the data of physiology and psychology. The role of thinking and work in the formation of a musician with outstanding motor data since childhood is shown. The description of the creative heritage of K.M. Dumchev, which was not published, is given.

Keywords: K.M. Dumchev, violin performance, phenomenon the child prodigy.

V.A. Leonov, I.D. Palkina

pp. 88-91

Folk-song culture of Kuban as a means of education of children and youth at present stage

The theme of teaching and education of children on the basis of folk music culture in educational institutions of culture of the Krasnodar region has been studied for several years and is reflected in the program materials. This article presents a study of folk song culture of the Kuban in the educational programs of professional and additional education of cultural institutions of the Krasnodar region.

V.G. Zakharchenko, T.V. Sokolova

pp. 91-94

Piano pieces for children by O.V. Masich: to the question of programness

The article discusses the work of the Kuban composer O.V. Masich. Particular attention is paid to piano works for children, having a program nature. The typical rhythm-intonations are revealed, reflecting the phenomena of reality, some trends in the development of musical art in the XXI century.

Keywords: composer O.V. Masich, plays for piano, school album, program music.

T.I. Strazhnikova

pp. 95-98

Project «Vereshchagin»: cross-disciplinary approach to creation of the art exhibition

The article considers the successful application of a cross-disciplinary approach to the exhibition of works of art. It is concluded that it is in demand in the modern museum culture of the Russian Federation. The connection between the approach and the author’s view of V.V. Vereshchagin on the presentation of paintings for the general public is found.

Keywords: Tretyakov gallery, Vasiliy Vereshchagin, art exhibition, museum, cross-disciplinary approach.

T.N. Frolkina

pp. 98-101

About the color-tonal system of B. Asafiev in the ballet «White Lily»

The relevance of the chosen theme is due to the lack of studies in the Russian musicology devoted to the study of color-tonal drama in the works of B. Asafiev. The article first analyzed the image-color symbolism in the ballet «White Lily». It is proved that the composer ’s color-tonal associations are reflected in the score of the work both in the characterization of the characters and the interpretation of individual scenes.

Keywords: synesthesia, color hearing, B. Asafiev, ballet «White Lily».

M.L. Karamanova, O.S. Mikhaylova

pp. 102-104

Documentary film: concept of the genre

The article deals with the concept of genre classification of documentary films, its stylistic features and the development of the genre in evolutionary and stylistic aspects.

Keywords: documentary film, genre classification, style, genre subspecies, director.

E.A. Devlikamova

pp. 105-107

Sustainability of modern city development: to the problem statement

The article analyzes the problem of sustainable and comfortable development of a modern city in the aspect of digitalization. Digitalization is a non-trivial task, primarily for financial reasons, so the dominant factors are comfort, beauty, stability, social welfare. A «smart» city should be rational, based on its human dimension.

Yu.S. Popruzhenko

pp. 108-112

Psekups period in the service Of Ivan Psekups period in the service Of Ivan Diomidovich Popko: problems of historiography and source studies Popko: problems of historiography and source studies

The article is devoted to studying the biography of the author of the first printed book about the Black Sea Cossacks – General of the Kuban Cossack army Ivan Diomidovich Popko from historiographical and source study points of view. It traces the military, administrative, cultural and educational activities of the commander of the Psekups equestrian regiment in Zakubanye.

Keywords: Caucasian war, North Caucasus, highlanders, I.D. Popko, educator, Psekups regiment, Cossack.

B.A. Trekhbratov, S.V. Trofimenko

pp. 112-117

Conditions of work with archaeological objects from metals in the field

A brief review of the field preservation of archaeological finds from iron and copper alloys and a description of the existing traditional research directions in the preservation of such artifacts, generally accepted methods and methods of their processing used by restorers are presented. The work is based on the studied theoretical aspects and practical knowledge on this topic. The surface principles of preserving the objects of historical and cultural heritage, the problems of restoration and conservation of ferrous and non-ferrous metals in the field are indirectly affected. The prospect of these studies in the traditional plan of theoretical scientific research is considered.

Keywords: archeology, field conservation, restoration, iron, copper, bronze, tin, alloy.

N.E. Berlizov, I.I. Kuzin

pp. 117-120

Museums as keepers and translators of cultural heritage

The article highlights the problems of the influence of the authorities on the exhibition, storage, educational work carried out by museums in different countries.

Keywords: museum, culture, policy, ideology, heritage presentation.

N.B. Akoeva, N.I. Orfanidi

pp. 120-124

Preservation and development of the folk musical tradition by modern folklore ensembles of the authentic direction

The article is devoted to the forms of preservation and development of folk musical tradition that arose in the national culture in the late XIX – early XX century. The youth folklore movement that emerged in the second half of the XX century mainly in the urban environment gave impetus to the formation of a new trend of folklore performance in an authentic manner in the new historical and social conditions.

Keywords: folk song, authentic folklore, folklorism, youth folklore movement, folklore ensembles of authentic direction.

S.A. Zhiganova, N.E. Bagdasaryan

pp. 124-127

Spiritual verse in modern folk singing

Spiritual verse occupies one of the most important places in the revival of spirituality in modern society. It gives society the true meaning of spirituality and salvation. The main task of the work is to consider the issues of modern performance of the spiritual verse on the example of different style performers.

Keywords: spiritual verse, sacred music, traditional musical culture, folk singing, ritual, drawing songs, musical-rhythmic, sound-pitch organization.

V.G. Zakharchenko, A.A. Lutsenko

pp. 128-131

Stereotypes and collective unconscious in information culture

The article is devoted to the consideration of the role of the collective unconscious and the place of stereotypes in the information culture of modern society.

Keywords: information culture, collective unconscious, mythologization, frames, archetypes, stereotypes.

O.A. Vertiеvets

pp. 132-135

T.A. Gaidamovich and traditions of the Russian performing school

The article is devoted to the 100th anniversary of his birth of the outstanding musical figure and teacher Tatyana Alekseevna Gaidamovich. The pedagogical principles of the professor of the Moscow Conservatory, achievement of her students are considered, the role of her professional activity in development and preservation of domestic traditions in the field of ensemble performance is estimated.

Keywords: chamber ensemble, music pedagogy, history of art, traditions, Russian performing school, ethics.

T.V. Sorokina