Actual
31 Oct 2023
Chamber Spaces of the "Outgoing City" in the Works of Krasnodar Artists
The article continues the study of the problem of artistic interpretation of the image of the city in the fine arts of Kuban, previously considered by the author, using the example of the Kuban capital. The subject of art criticism and semiotic analysis of visual texts are chamber urban spaces, the figurative characteristics of which have received the most vivid expression in the genre of urban (architectural) landscape. The increased interest of artists in capturing diverse mosaic texts of the urban environment, urban interiors and their fragments is due to the loss of part of the cultural heritage of the historical city center, a change in the architectural appearance of old buildings from traditional to more «modern». The use by masters of various techniques and materials, approaches, compositional and stylistic techniques, artistic tropes in painting and graphics stimulates the process of generating visual texts that form a detailed exhibition of urban images - streets, courtyards, modest mansions, elements of architectural decor. A significant place in it is occupied by architectural artistic metal, represented by the ornamental richness of forged roof canopies, which, together with other elements of the facade decoration of buildings, gives originality and unique flavor to the historical buildings of the «vanishing city», which is increasingly losing the cultural layer of its heritage. Chamber anonymous spaces still retain the «spirit of place», that unique sense of the originality / individuality of the environment, its involvement in a person’s worldview, which so attracts masters of different creative ranges.
28 Jul 2023
Cultural Transformations of the Phenomenon of the Game in the Postmodern Era
20 Jan 2023
Museum Named After Ostrovsky: Traditions and Innovations in Modern Conditions
The article for the first time analyzes the introduction of new event-practices in the scientific and educational activities of the Museum named after N. Ostrovsky. Currently, patriotic education is a priority direction of the state policy of the Russian Federation. Sociocultural institutions, in particular museums, face the task of comprehensive spiritual, moral and intellectual development of the younger generation, fostering a sense of patriotism and citizenship, respect for the memory of defenders of the Fatherland, the older generation.
Keywords: Museum named after N. Ostrovsky, cultural heritage, preservation of historical heritage, historical memory, traditions, value orientations, event.
30 Dec 2021
Sacralization of the Cultural Memory of the Great Patriotic War in the Contemporary Russian Cinema
The study is supported by the Russian Science Foundation, Project No. 20-68-46013. The article analyzes the phenomenon of cultural memory presented in an aspect of sacralization. The research object is the contemporary national cinema in the aspect of the sacralization of the cultural memory of the Great Patriotic War. The author considers the content-related aspects of cultural memory, designates mechanisms and vectors of cultural memory sacralization in the contemporary Russian culture.
06 Nov 2021
Images of the Past, Present, and Future: On Raising the Question of Commemorative Culture Formation
22 Jul 2021
Russia,s Representation in the Nobel Pantheon: the Sociocultural Component of the Prizes Held and Failed
During the one hundred-and-twenty years of the Nobel Prize, it remains the highest recognition of achievements in science, literature and peacekeeping. In connection with the special position of Russia in the modern world, an analysis of its representation in the “pantheon” of the winners is highly relevant. The chronology of the Nobel Prizes served as empirical material, in which the authors reveal the ever-increasing sociocultural, including geopolitical, component in the fate of the prizes that have and have not been awarded.
27 Apr 2021
Culture as “Soft Power”: Range of Actions and Potential Opportunities
Using the chronology of events in the world at the end of the 20th and beginning of the 21st centuries as empirical material and carrying out its historical and logical reconstruction based primarily on the analytical method, the article traces the evolution of ideas about the “soft power” of culture. The combination of the concepts “soft power” and the rather aggressively sounding “range of actions” contains a reference to the reliance on the “soft power” of cultural expansion as a mechanism of political and economic influence (which was realized to the greatest extent after the collapse of the Soviet system) declared at the end of the 20th century (Joseph Nye, Francis Fukuyama).
26 Dec 2020
Problems of the French Avant-Garde Transformation in the Russian Theatrical Culture
It examines the features, problems of transformation of the French avant-garde in the theory and practice of the Russian theater. The main research material in the article was the works of the representatives of the French avant-garde Antonin Artaud, Jean Genet, Paul Claudel, Anne Ubersfeld, Patrice Pavis, and others.
30 Apr 2020
Possibilities of educational theatre in the system of higher special education
The authors propose a conceptually original approach to the essence of the concept of “educational theatre” and consider its possibilities in the context of modern times.
26 Dec 2019
The problem of the integrity of the modern theater school
The article deals with the concept of theatre school, from the cultural point of view analyzes its state and the problem of integrity in the context of modernity.