pp. 1-2

Title

pp. 3-4

Content

pp. 7-10

From the editor

S.S. Zengin

pp. 7-10

Year of theatre in russia. Unsummarized results of one discussion

The article is devoted to the problematic issues of discussion about the theatre of the critical period of 1988-1989 and the art criticism analysis of the actualization of these problems in the context of modernity.

Keywords: theatre art, directing crisis, socialist realism, game theatre, theatrical concept.

M.K. Naydenko, N.N. Vasilchenko

pp. 11-18

A.P. Bogolyubov and association of travelling art exhibitions: Features of interactions and their importance for Development of the russian landscape painting school

The authors investigate the activities of A.P. Bogolyubov as a member and exhibitor of the Association of the travelling art exhibitions: they identify the attitude of the artist to his projects and tasks, as well as the perception of his works, exposed at the exhibitions of the Association, by its members and art critics of that time. It is concluded about Bogolyubov’s significant contribution to the formation of the national landscape painting by introducing young Russian landscape painters to the achievements of the European art schools on the example of his works.

Keywords: Association of travelling art exhibitions, landscape, Bogolyubov, Kramskoy, Stasov

I.А. Ilyina, N.I. Devyataykina

pp. 18-21

Instrumental poem of E. Derbenko «Andrey Rublev»: Interpretation of artistic images

The article is devoted to understanding the artistic images of the instrumental poem «Andrey Rublev», written by E. Derbenko for the orchestra of the Russian folk instruments. A parallel is drawn between the film by A. Tarkovskiy «Andrey Rublev» and the same named poem by E. Derbenko from the point of view of the interpretation of program and general principles of form-making.

Keywords: poem, artistic image, form-making, suite, contrast and compound form.

D.A. Zagaykan, T.F. Shak

pp. 22-28

To typology of screen representation: Female images in the film of G.V. Pabst «Joyless Lane» (1925)

The article is devoted to the changes that occur in the representation of the image of femme fatale in German cinema of the 1920s. This period in the history of world cinema is one of the key in the formation of cinema imagery and the making of the screen concept of a «new woman». The author, setting himself the task of determining the typology of the heroines presented in the film of G.V. Pabst «Joyless lane» (1925), concludes that the deviation from the patriarchal morality in the representation of the female image in the cultural and historical context signals the tectonic shifts that take place in the public mind. It embodies both the advanced philosophical ideas of its time (F. Nietzsche, F. Wedekind), and testifies to the preparation of society for the coming sociocultural changes.

Keywords: history of cinema, «new woman», femme fatale, Wedekind, Pabst, German cinema of the 1920s, representation, gender, gender researches. 

S.A. Smagina

pp. 28-32

Coauthorship of the director and composer In aspect of the cinema music style

The article on the analysis of films by director N. Mikhalkov with music by E. Artemyev raises the question about the stylistic aspects of cinema music, realized through the coauthorship of the director and composer.

Keywords: cinema music, tandem, director, film composer, periods of creativity, N. Mikhalkov, E. Artemyev.

T.F. Shak, V.A. Zamikhovskaya

pp. 32-36

Historical panorama of the saxophone music genres Of the first half of the xx century

The article analyzes the trends of the genre evolution of saxophone music of the first half of the ХХ century. The author focuses on the diversity of the palette of compositional creativity, due to the limitless timbre-expressive and virtuous-technical potential of the instrument. The updated figurative structure and musical language of the works, which contributed to the changes in the compositional and dramatic patterns of the works, clearly outlined the various genre and style interactions.

Keywords: saxophone, saxophone music, genre, genres of saxophone music, historical panorama of genres.

A.M. Ponkina

pp. 37-45

Arrangement as a tool of the original source interpretation: To the question of the compositional methods typology In choral music

The article deals with the transformation of the borrowed original source in the field of choral arrangement. There are two areas where stylistic diversity manifests itself to the greatest extent – folk song art and instrumental music. The common denominator of methods for organizing sound material in them becomes a significant complication of the approaches to processing and the increasing role of modern composition techniques. The use in practice of choral arrangement of the peculiarities of the transformation of the original source discussed in the article creates the prerequisites for its various interpretations and brings the activities of the arranger closer to the full-fledged composing process.

Keywords: arrangement, choral art, transformation, adaptation, processing, method, folk original source, texture.

A.V. Pchelintsev

pp. 45-48

The glorifying songs «Like a light wreath» and «Made sense clear» from the church services in honor Of the sacred relics of the virgin Mary in the old russian And modern liturgical tradition

The article is devoted to the results of the study of two hymns, uniting holidays – Laying of the Holy Robe, Laying of the Holy Belt and Intercession of the Virgin Mary. The article analyzes the glorifying songs of the 2 voice «Like a light wreath» and «Made sense clear» in the historical perspective on the basis of complex of sources from different eras. The basis for this study was the methods of source, textual and comparative study of handwritten monuments, as well as artistic analysis of the composition of hymns.

Keywords: Old Russian singing art, glorifying songs, Church services in honor of sacred relics of the Virgin Mary. 

Yu.Yu. Khodchenko, S.I. Khvatova

pp. 49-52

The suite genre in the creativity of K. Perelevskiy

Based on the analysis of the suite cycles for domra and bayan «Fairy-tale motives» and «Six plays in old style» by K. Perelevskiy, the article reveals the features of the author’s performing and composing style. Keywords: ensemble of Russian folk instruments, suite, composer style, sonoristics, Neoclassicism.

E.V. Lygina, T.F. Shak

pp. 52-57

V.I. Martynov. “Night in galicia”: Appeal to sources

The article is dedicated to the work of V.I. Martynov “Night in Galicia”. The opus is considered from the point of view of a combination of various singing manners caused by the original content of the work. The choice of the performing staff capable of reproducing the newest methods of vocal sound extraction, the selection of vocalists with professional universalism – the ability to sing in a popular, academic manner and to experiment with sound – is grounded.

Keywords: manner of singing, modern composer’s creativity, synthesis of arts.

A.S. Lukyanova, P.A. Sergeeva

pp. 58-67

Intentional dialogue as a technology of social adaptation: Philosophical and methodological aspect

The article discusses a methodological approach to solving the problem of preparing pupils of an organization for orphans and children without parental care for an effective social existence. Analyzed the nature and functions of the intentional dialogue in their theoretical and instrumental aspects as a tool of mental and social adaptation. Based on the semantic theory of consciousness, the authors create an interdisciplinary model for adjusting consciousness in interactive communication; offer a set of methods and techniques, the use of which will successfully solve the problem of overcoming social disadaptation in theory and practice.

Keywords: methodology, social technology, methods (complex, interdisciplinary), consciousness, meaning, social adaptation / disadaptation, theory of intentional dialogue.

E.P. Alexandrov, V.P. Gritsenko

pp. 68-71

Representations on culture and dialogue of cultures In arab-muslim intellectual tradition

The author considers the concepts developed in the framework of the Arab-Muslim culture and close to the European concept of «culture», analyzes their origin, considers the mutual influence of the Western and Eastern representations on culture and intercultural dialogue.

Keywords: culture, dialogue of cultures, semiotics, Ibn Khaldun, Arab-Muslim philosophy

I.R. Saitbattalov

pp. 71-75

«Territory brand» as a concept of culturology

Topical issue about the maintenance of the concept “territory brand” is considered in the context of culturological knowledge. Heuristic opportunities and difficulties of its use are analyzed. It is shown that culturological approach allows to find the valuable maintenance of this concept, to comprehend the problems connected with activity of the culture and arts workers of the territory, to reveal new – an economic element in functioning of the cultural sphere of the region.

Keywords: territory brand, branding, culturological approach, interpretation of economic term.

V.B. Khramov, T.N. Frolkina

pp. 75-78

P.A. Florensky: between heaven and earth

The article is devoted to the conceptual views of P.A. Florensky on the historical and cultural tradition of the Russian philosophical thought, the problem of its religious component. The modern value of the institution of the Church in the religious sphere, as well as in the social and cultural and political realities of our time is determined.

Keywords: cultural tradition, religion, Russian philosophy

E.A. Naydenko, A.V. Tonkovidova

pp. 78-83

Paideiya as a code of fashion and modernity

The article presents a comparative analysis of the aesthetic principles of fashion of the archaic and modern times from the socio-philosophical point of view. The change of cultural values in postmodern society, manipulation of personality consciousness by technical mechanisms of the fashion industry is tracked.

Keywords: globalization, fashion, paideiya, postmodernism, aesthetics, classical style, form, human body, trends, anti-fashion.

G.A. Sergunova, B.P. Borisov

pp. 83-86

Art space: to the question about the system approach Of concept research

The relevance of the study is due to the lack of knowledge of the «art space» concept in culturology. In the article, on the basis of sources and literature, the process of forming a methodology for studying this concept on the basis of system approach is analyzed.

Keywords: art space, system, system approach, concept, phenomenon, culture, methodology.

D.A. Sigida, M.G. Napalkova

pp. 87-90

Elaboration of a series of the propaedeutical tasks, Aimed at the development of the volume And spatial thinking skill of the students-designers

A series of the propaedeutical tasks, aimed at the development of the volume and spatial thinking skills of students, is presented in the article. The sequence of stages of the tasks is considered. The results of this method approbation are described. The results are analyzed and presented as an illustrative material.

Keywords: volume composition, household item, interior, architectural environment.

N.N. Udalova, M.S. Lunchenko

pp. 91-95

Organoprojection: origins, realities and forecasts

The article is devoted to the ambiguity of the results and prospects of informatization of society. The question of organoprojection and the appearance of anthropomorphic machines in the near future is highlighted.

Keywords: organoprojection, technique, modern culture, information society, civilization.

V.G. Torosyan, A.A. Pshenichnyy

pp. 95-100

Actual tasks of the environmental design in process Of formation of the comfortable urban environment

The article discusses the main problems of the visual environment of the modern city. To solve them and streamline the processes of forming the urban environment, it is necessary to designate the actual tasks of environmental design and adopt a special document regulating the design processes.

Keywords: urban environment, landscaping, gardening, city, design.

A.I. Chalaya

pp. 100-106

Language of fashion and personal transformation In postmodern culture

The fashion with the transition of humanity into the information sphere, demonstrates other principles of the society life and establishes new conditions for the personality self-realization in it. The rapid growth of scientific achievements, paradoxically, exacerbates the problem of «human» interpersonal relationships. The cardinal changes of the fashion from the end of the 19th to the 20th century, occurred with the loss of spirituality, particularly affected the inner world of the personality. A representative culture in the sphere of costume design, in terms of the post-human manifestation, has undergone a tremendous shift under the influence of established social transformations. The analysis of the philosophical discourse of postmodernism culture, affecting modern fashion and human existence is carried out.

Keywords: fashion, postmodernism, transformation, communication, information society, virtual reality. 

G.A. Sergunova, E.V. Prasol

pp. 106-109

The problem of classics on a modern scene

The relevance of the problem of staging classical works on a modern scene is determined by the lack of proper art criticism approach to the phenomenon of increasing flow of a director’s interpretations and the ambivalence of attitude of theatrical criticism towards them. The purpose of this article is in the experience of art history analysis, summarizing the main trends of the problem of theatrical art of modern time.

Keywords: direction, interpretation of classics, professional guidelines, definition of classics.

N.N. Vasilchenko

pp. 110-114

Retrospective representation of the cinema theories In the social and philosophical context

The article reveals the content of leading theories of cinema from social and philosophical positions, reveals regularities in the movement of philosophical thought about cinema, shows the breadth of views on its place in society. The task of the work is to determine the relationship between the products of the cinema, its industry with the audience in various spatial-temporal localizations, as well as the trends in the development of these relations.

Keywords: philosophy of cinema, cinema theory, movie audience and moviegoer, social history, history of cinema.

P.V. Nazaretyan

pp. 115-118

Post-minimalism in cinema music: on the example Of feature film «i am love» (dir. L. Guadanino, comp. J. Adams, italy, 2009)

The article on the material of the film «I am Love» reveals the peculiarities of the organization of the musical row of the film, decided in the style of post-minimalism. Its characteristics and main differences from minimalism are determined.

Keywords: minimalism, post-minimalism, cinema music, thematism, culmination, dramaturgy

E.I. Zhuravleva

pp. 118-121

Methods of work with the borrowed material In «fantasy on themes of dzhankhot natkho’s songs» For bayan and balalaikа by v.M. Volchenko

The article is devoted to one of the actual problems of the Adyghe musicology – the formation and development of the professional musical culture in Adygea and the reveal of the influence degree of composers of the other nation’s tradition on the Adyghe school of composition. As an example of the appeal to the other nation’s theme the work of V.M. Volchenko «Fantasy on themes of Dzhankhot Natkho’s songs» (for balalaika and bayan) is given. The main principle is revealed – expositionality of the presentation of quotes.

Keywords: cultural construction, processing, «cultural troop», quote, Vasiliy Volchenko, Vladimir Messman, other nation’s tradition.

Z.V. Bakhtina, L.D. Pankova

pp. 122-127

Soviet historiography of the biography Of the historian, ethnographer and general Of the kuban cossack army I.D. Popko

The author characterizes the creative heritage and biography of the famous historian, author of the first book about the Black Sea Cossacks, general of the Kuban Cossack army I.D. Popko in the Soviet period.

Keywords: I.D. Popko, Cossack history, pre-Soviet and Soviet historiography, science, ethnography, first book, creative heritage, Black Sea Coast, Cossacks-plastuns.

B.A. Trekhbratov

pp. 128-131

To the question of the historical exposition Of the krasnodar museum of local lore In the context of the principles of subject nature, Scientific character, communicativeness (middle of the 20th – middle of the 30th years Of the 20th century)

In article trends of exposition work of museum of local lore as main form of museum communication in new social and political conditions are defined. The structure and the maintenance of an exposition through a prism of a condition of its fundamental principles are revealed. Conclusions are drawn on value of historical experience.

Keywords: museum, exposition, principle, subject nature, scientific character, communicativeness.

L.A. Karapetyan

pp. 131-135

Krasnodar chamber choir and its artistic director V.M. Yakovlev: components of professional skill

The authors refer to the activities of the Krasnodar chamber choir in the aspect of interaction between the collective and its leader. The article contains information about the peculiarities of constructing of the rehearsal work of the collective, the formation of the repertoire, obtained in process of conversations with choirmaster V.M. Yakovlev, as well as observations of the creative life of the collective.

Keywords: choirmaster, choral art, Krasnodar state chamber choir, V.M. Yakovlev.

L.V. Krasnoborodko, E.V. Babenko

pp. 135-140

Problem of new metropolisation And rebranding of Krasnodar

The article analyzes the problem of modernization the urban space of Krasnodar, a new approach to its metropolisation. It uses the method of analogy with the image of Barcelona as a normative model in the context of the modern trend of Smart City. The conclusion is made about the need for an anthropological approach to the assessment of the city and its environment, as well as the dominance of logic, ethics and aesthetics in the humanitarian assessment of urban space and the city as a whole.

Keywords: сity, city image, urbanization, metropolisation, Smart City.

V.P. Gritsenko, Yu.S. Popruzhenko

pp. 140-144

Model of synthetic singer: Technique – performing manner – image

The article deals with the model of a synthetic singer, analyzes the principle of its construction – from technical parameters to parameters of the embodiment of artistic image. The questions of vocal technique and manner of performance are touched upon. It is considered how this complex can be implemented in the field of mass musical culture and academic musical theater.

Keywords: synthetic singer, vocal technique, vocal performing manner, artistic image, K. Stockhausen, heptalogy «The Light».

O.A. Paliy

pp. 145-147

Domestic culture in the context of synthesis of arts: On materials of the international conference “modern Aspects of dialogue of literature, music and painting”

The article deals with issues of the synthesis of arts in the modern scientific and practical space. The problem of complex synthetic processes associated with the play of meanings, included in an objective picture of the world, is posed. The article highlights the international conference, the solution of scientific problems in the context of synthesis of arts.

Keywords: world picture, synthesis, music, literature, painting, musical theater, conference.

A.A. Predolyak