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From editor

In commemoration of the 75th anniversary of Victory in the great Patriotic war, 2020 is declared the Year of memory and glory. This is the most significant holiday that unites all the inhabitants of our country, because the war not only changed the course of world history, it left its mark on the fate of every family.

S.S. Zengin

pp. 7-10

Possibilities of educational theater in the system of higher special education

M.K. Naidenko, A.S. Gorgul, N.N. Vasilchenko

pp. 11-14

Historical dynamics of divine wisdom in the Russian opera of the ХIХ century

Russian opera of the XIXth century is represented in this article as a process of the national selfconsciousness development (aspect is as relevant, as not-so-developed in the music studies). The sequencing of the harmonic and crisis types of the musical concept is regarded by the author through the prism of the male and female, which has historically expressed connotation of the divine wisdom. It is shown that this process, which reflects the general cultural situation in Russia in the XIX century, is in the direct connection with the problem of the personal spirituality, fully developed by the Russian religious thought and sequentially personified in the Russian opera. 

Keywords: Russian opera cycle, national self-consciousness, personal spirituality, Sofia-the Wisdom.

N. V. Beketova

pp. 14-17

Historical context of vocal interpretation

 The article highlights the relevance of studying the performing interpretation of the classical vocal repertoire for the science and practice of teaching singers. In connection with the «obsolescence» of intonational stylistics, the problem of the dynamics of vocal intonation in a historical context is considered. The concert performance of opera fragments and chamber vocal music reflects speech traditions, the characteristic features of speech in drama theater and cinema. The problem statement is illustrated by the analysis of intonation styles by A. Vertinskiy and B. Okudzhava, as well as by performing versions of S. Rachmaninov’s lied «Don’t sing, the beauty it with me».

Keywords: vocal interpretation, comparative analysis of performance, speech traditions, historical context of performance.

T.S. Gorbenko, G.R. Taraeva

pp. 17-23

To the question of interpretation of ancient music on the example of part I of sonata for flute a-moll by F.E. Bach

This article discusses the issues of performing interpretation in terms of semiotics of musical content. The variant multiplicity of the work is a consequence of the dialectical interaction of stable and mobile elements in any interpretation. On the example of the First part of the Sonata a-moll for flute solo by F.E. Bach, the author of the article analyzes the influence of stable elements in the form of rhetorical figures on the formation of figurative content that is adequate to the composer’s intent.

Keywords: performing interpretation, rhetorical figures, performing means, compositional structures, F.E. Bach, musical image, figurative-associative space.

I.V. Stachinskaya

pp. 23-27

Bayan art in the pop-jazz style

The article is devoted to the study of academic bayan art in the aspect of pop and jazz style. Bayan art is embodied at a new level in the popular sphere, but accommodating a self-sufficient artistic effect of embodying the ensemble-jazz qualities of the sound. Bayan expansion in jazz is a creative precedent for composers who seek to update the timbre-texture characteristics of the instrument and for performers who are aware of the primary theatricality of the jazz style of playing. 

Keywords: рop-jazz direction, bayan art, pop-jazz style, jazz bayan texture.

S.Y. Mambetov

pp. 28-32

Artistry as a component of the performing culture of the musician

The relevance of the study is due to the increased scientific interest in the emotional-expressive and psychological aspects of musical performance, issues of performing interpretation in general, and the phenomenon of artistry in particular. As a result of analysis and comparison of modern scientific concepts, the place of artistic qualities in the structure of performing culture is revealed, some criteria of artistry and ways of its development are studied. The practical significance of the work is determined by the study of the problem of artistry in the context of the performing competence of a musician. 

Keywords: performing culture, artistry, artistic qualities, performance process, interpretation.

E.Sh. Abduvelieva, E.N. Seit-Abdulov

pp. 32-37

Biographies and autobiographies of rock musicians as the phenomenon of culture

The article considers biographies of rock musicians as a special segment of the set of texts created within the biographical genre. By means of structural and functional analysis applied to texts, the predominant narrative lines in rock biographies are highlighted. These are narratives of deviations, excessive sexuality, revolt, talent and success, as well as a narrative of permanent creativity. The interweaving of these types of narrative contributes to the formation of harmonization and the elimination of conflict between the subject and the historical and cultural process. 

Keywords: rock-culture, biography, narrative, deviation, sexuality, historical and cultural context.

S.G. Dyukin

pp. 37-40

Revival of art performance on traditional chinese wind instrument bamboo di

The revival of interest in Chinese traditional wind instruments initiated the restoration of instrument manufacturing, the development of northern and southern performing schools on bamboo di. The article touches on the role of outstanding representatives of the musical culture of China in the second half of the 20th century, among them Feng Zitsun, Liu Guangyue, Kun Jianhua, Wang Techui, Liu Seng, Lu Chunlin and Zhao Sunting and hypothesizes that the poetics of the instrument are still fully disclosed least. 

Keywords: Chinese musical culture, instrumental performance, traditional wind instruments of China.

Juan Shuai, S.I. Khvatova

pp. 41-48

The 3rd guild merchant Pyotr Krivonosov as the bandmaster of the Black sea Cossack army music choir (from archive materials)

Based on archival materials, the article analyzes the circumstances that preceded the approval in 1844 by the head of the orchestra of the Black Sea Cossack army of the 3rd guild merchant Pyotr Krivonosov. All documents are first introduced into scientific use. The author established new facts, and also revealed a discrepancy of some facts indicated in the famous work by I. Kiyashko (1911), dedicated to the history of the Kuban military orchestra and choir. 

Keywords: military orchestra of the Kuban Cossack army; Pyotr Krivonosov; history of orchestra performance; archival documents.

S.V. Anikienko

pp. 48-51

Development of the main drama lines in lite-opera «Gogol. Chichikov. Souls» by A. Pantykin

The article is devoted to the features of the musical drama light-opera «Gogol. Chichikov. Souls» by A. Pantykin. During the analysis of drama lines, the authors identify the main components of it, due to the innovative interpretation of the poem by N.V. Gogol. 

Keywords: A. Pantykin, opera, operetta, musical, dramaturgy.

E.V. Pokladova, A.A. Lukyanova

pp. 51-56

New facets of synthesis in the domestic musical theater (on the material of drama-opera-ballet «Carmen. Polyform» by P. Kaplevich)

The article discusses the trends that contribute to synthetic phenomena in the space of the national musical theater. By analyzing the drama-opera-ballet «Carmen. Polyform» reveals new facets of synthesis, the importance of the main characters of the action, the role of music as a cross-cutting dramatic core. The specificity of modern forms of musical performance is updated.

Keywords: polyform, synthesis, musical theater, action, opera, «Carmen».

O.A. Paliy

pp. 57-61

Representation of images of the Perm animalist style in the modern urban space

The article explores the prospects of representing Permian animalistic style images in the street spaces of the Ural cities. Creating an artistic image of the pedestrian streets of the city seems to be a socially significant activity addressed to local communities and focused on the cultural and cognitive interests of citizens. Currently, in the modern representation of animalistic style images in architecture, sculpture and urban design, the works of authors-creators are more likely focused on the phenomenal “core” (myths, legends, traditions) than historical facts. The author believes that the ideological and artistic basis of the design solution should be based on historical-eventual and philosophical-cultural contexts. To demonstrate the possible options, author’s project proposals were developed for their practical implementation in the urban environment of Perm.

Keywords: сultural traditions, Perm animalist style, subject-spatial environment, creative city, design, art object, pedestrian street.

Y.V. Dianova

pp. 62-65

Features of designing a grafic font for visualizing myths and legends

The article discusses the features of designing a graphic font based on forms and elements of biblical writing. The features of the development of the author‘s font “GeGa” focused on the visualization of images of myths and legends of Abkhazia are described. 

Keywords: graphic design, font, computer graphics, design.

M.N. Marchenko, F.D. Sanguliya

pp. 66-71

Easel printed graphics in Volgograd region: 1968-1979 the years

The article analyzes the state of easel printing graphic in the Volgograd region between 1968 and 1979. The article considers exclibris by R.V. Kopylov and E.G. Sinilov, engravings by V.V. Kiselev and V.V. Burylov from the collection of the Art gallery of Volzhskiy city and the personal collection of L.M. Vyazovikov. 

Keywords: printed graphics, linocut, exlibris, art gallery of Volzhskiy city, V.V. Burylov, E.G. Sinilov, R.V. Kopylov, V.V. Kiselev.

A.V. Filimonova

pp. 71-74

Nostalgia as a method of impact on consumers in advertising design

The article analyzes the phenomenon of nostalgia in the field of public perception and design of commercial communications. Material carriers reflecting the phenomenon are revealed. The significance of the phenomenon is determined, both for consumers and for designers. Artistic features are identified, with the help of which it becomes possible to cause the manifestation of the nostalgia effect. 

Keywords: nostalgia, advertising design, advertising, graphic design, design processes.

S.G. Azghikhin, Y.I. Gritsyk

pp. 75-80

The Russian adaptations of the Korean tv series dorama as a phenomenon of fusion of cultures

The article considers the features of the domestic adaptation of Korean TV series dorama, which has a multimillion audience, from the standpoint of art criticism. The difficulties arising in the process of their adaptation are also studied. The concepts and features of drama Korean series dorama are systematized and formulated. The analysis of popular Korean TV series dorama is carried out, the criteria for success are identified. 

Keywords: dorama, Russian adaptations, series, adaptation of the series, modern mass culture, Korean series.

S.V. Luzyanin

pp. 81-84

Borrowed music material in the structure of the documentary: principle of functioning

 The article is based on the analysis of the author’s documentary project directed by S. Solovyev “SАS. Those with whom I (Russia, 2010-2014) reveal the role of musical material represented by borrowed fragments from film music or classical works in the integral structure of film text. Outlines of similarities and differences in the principles of functioning of quoted musical material in feature and documentary films in the context of the style of director S. Solovyev are outlined. 

Keywords: documentary, quote, borrowed music, functions, dramaturgy, genre.

E.A. Devlikamova, T.F. Shak

pp. 85-88

N.A. Berdiaev’s philosophy of self-knowledge

The article examines the conceptual provisions of N.A. Berdiaev’s philosophy. Modern researches do not sufficiently use the experience of addressing the views of Russian philosophers of the turning period of domestic history. Our study makes it possible to fill this gap to a certain extent and to draw conclusions in comparison with the realities of modern time.

Keywords: N.A. Berdiaev’s philosophy, self-knowledge, Russian cultural Renaissance, Russia and the World of the West.

E.A. Naidenko, A.V. Tonkovidova, L.G. Bitarova

pp. 88-93

Beautiness versus ugliness. Transition to a new cultural era in the 21th century

The article explores the most important factors determining the exit from the postmodern era, the main of which is the confrontation of the beautiful with the ugly as a specific source of momentum for the transition to a new cultural era. Aesthetic and post-aesthetic interpretations of the beautiful and ugly in modern culture and their axiological significance are considered. 

Keywords: beautiful, ugly, postmodernism, new cultural era, gestalt.

E.V. Donskaya

pp. 93-99

The cultural landscape as an object of the cultural policy

One of the ways to preserve the culture is to regulate the processes of its organization at the level of the cultural landscapes, representing an organic system of the cultural and natural factors. The author conducted a study of the cultural landscape as an object of the cultural policy, considered the conditions of its preservation and the development. It is dealt with the relevant experience of the state cultural policy, as well as the analysis of the regulatory framework. The article proposes the most important vectors of cultural policy aimed at preserving the cultural landscape.

Keywords: the cultural policy, the landscape, the cultural landscape, the historical and cultural heritage, the territorial development, the region.

V.V. Novoselskaya

pp. 99-103

The contradictory policies of soviet authority in the protection of cultural monuments in the 1920s in South of Russia

The article discusses the formation of a legislative basis for the protection of cultural monuments in the 1920s and their practical implementation in Kubani. Archival materials, first introduced into scientific circulation, allowed to reveal new aspects in scientific activity of professors V.A. Parkhomenko, G.G. Grigory, S.G. Ostroumov, architect A.P. Weitens and other devotees on protection of monuments of history and culture. Thanks to this, it was possible to analyze the policy of the Bolsheviks towards the monuments set by the former authorities and the creation of new monuments corresponding to the Bolshevik ideology. Contradictions in the activities of the Soviet authorities in this matter are shown.

Keywords: Decrees of Soviet power, Museum Department, museums, archaeological excavations, protection of cultural monuments, protection of nature monuments.

N.B. Akoeva

pp. 104-107

The specificity of perception of youth culture by various population categories

This article discusses the specifics of perception of youth culture as a popular brand in the modern sociocultural space. Cultural products, clusters and industries of youth culture are effective indicators of market demand for consumers of culture of different age and social groups. In this context, the urgent problem is the difficulty of differentiating understanding and, as a result, the perception of youth culture by different categories of the population, especially from the point of view not of fashion and marketing, but moral values and life priorities of consumers of culture of different generations. 

Keywords: youth culture, youth, brand, perception, consumer culture, cultural product.

A.V. Normanskaya

pp. 107-112

Cultural economy and determinants of changes in socio-cultural systems

Socio-cultural capital is the most important resource and source of changes in socio-cultural systems, including related socio-economic subsystems, which in the modern economy are manifested in the phenomenon of «cultural economy». As a resource for preserving and transforming social and cultural systems, social and cultural capital is implemented in the form of traditions and innovations. Zones of bifurcation of socio-cultural systems are manifested in peripheral areas of mass culture, which serve as a kind of membranes that adapt cross-cultural influences on mass socio-cultural practices, which can lead to both modernizing and archaizing processes in the development of socio-cultural systems and, consequently, the entire society. 

Keywords: socio-cultural system, socio-cultural capital, cultural economy, modernization, archaization, periphery of socio-cultural systems.

A.V. Kudinova

pp. 112-117

Patronage as an element of cultral policy

The article deals with the origin and essence, motivating reasons for philanthropy. It is stressed that philanthropy in modern Russia is a factor in the continuity of cultural tradition. It is argued that the spread of philanthropy shows the growth of civic identity and patriotism and has real prospects, becoming an important element of cultural policy, to develop into a sociocultural phenomenon with an appropriate ideology, code of conduct and honor. 

Keywords: maecenas, cultural tradition, gratuitous basis, mission, calculation, sociocultural atmosphere

I.A. Levchenko, V.G. Torosyan

pp. 118-122

Dell’arte comedy mask functions in opera «Pagliacci» by R. Leoncavallo

The article is devoted to the study of the artistic meanings of the drama of the opera “Pagliacci” by R. Leoncavallo. The objects of the study are the functions of the masks of the comedy dell’arte. It is proved that masks are understood by the composer in their late, aristocratic French style. In this context, the idea of opera is deepened, which is associated with understanding the contradictions of the old and new social reality. Payat’s life story is the litmus of the socio-psychological conflicts that have accompanied the restructuring of consciousness of most of the modern author of Italian society. 

Keywords: R. Leoncavallo, verismo, “Pagliacci”, masks, comedy dell’arte, Colombina, Harlequin, Pierrot, theater drama techniques.

Zheng Xujun

pp. 124-126

Genre synthesis as a principle of composition of works by A.K. Nekhai (on the material «The Nart symphony»)

The article discusses the problems of genre synthesis in the works of the Adyghe composer A. Nekhai. On the example of the concert program «The Nart Symphony» the main principles of the composition of the author’s works are defined. The primary features of genres are identified at the level of the constructive composition of a concert event.

Keywords: Nart symphony, genre synthesis, composer folklore, A. Nekhai, Adyghe folklore.

Z.V. Bakhtina

pp. 127-130

Grounds for systematization of museum collection of mechanical writing machines (on example of сollection of Stavropol state museum-reserve)

The relevance of the article is determined by the problem of describing the museum collection of mechanical typewriters produced by the late 19th early 20th century. Systematization of typewriters is carried out by the type and movement of letter carriers and by the type of keyboard. 

Keywords: writing machine, letter carrier, monolith, set, removable, basket, segment, lever, keyboard.

M.G. Chesnyak

pp. 131-135

Historical traditions of engraving in jewelry art of Dagestan

Engraving techniques refer to the bright phenomena of the traditional jewelry business of Dagestan. The article on the basis of new ethnographic (field) materials, comparative data on traditions of other peoples deepened scientific ideas about this type of decorative technique of jewelry. 

Keywords: history of Dagestan, traditional art crafts, engraving, jewelry, art processing of copper.

A.Dzh. Magomedov

pp. 136-140

Psychological features of perception of choreographic work

Choreographic work is a special kind of art in which there is a direct perceptual interaction between the viewer and the dancer. In addition, this chain of interactions a special role is played by the Director of choreographic works, to invest its special meaning and the idea to dance and seeking the attainment of the idea of a viewer through the plastic ability of the dancers and the creation of special conditions for the perception of choreographic works. The article is devoted to consideration of psychological features of perception of choreographic work that assumes participation of the spectator as the subject of co-creation of the work of choreographic art created before his eyes. Perception is the most complex psycho-physiological phenomenon, in this article the psychological features allocated in it are considered. The concept of Trinity of the factors promoting the maximum coincidence of the ideas put in choreographic work with its most complete semantic perception by the spectator is proved. 

Keywords: perception, psychological features, choreographic work, choreographic language.

V.N. Karpenko, E.S. Artemova

pp. 141-146

Formation of professional music education in Kabardino-Balkaria: problems and prospects for development

The article is devoted to the study of the system of professional music education in one of the regions of Russia – Kabardino-Balkarian Republic. The formation and evolutionary way of the music education system in the CBR with the identification of the main problems and trends of development is traced. The results can serve as a material for research in the field of cultural studies, art history, musicology, sociology, history.

Keywords: music education, Kabardino-Balkaria, three-level model of education, music school, art school, college, university, professional education.

O.A. Sizhazheva

pp. 146-149

Performance features in the Reich’s video-operas (on the issue of the specificity of libretto)

The article, based on the musical and theatrical works by S. Reich, explores the question of the manifestation of features of performance at the level of the literary basis of opera writing, which has been little studied in modern musicology. The principle of visual and vocal presentation of the text is analyzed, specific techniques are identified, due to which the quality of performance in the libretto text is realized. 

Keywords: Steve Reich, video-opera, performance, libretto.

A.V. Shornikova

pp. 150-152

V.A. Frolkin – soviet scientist, researcher of musical culture of the renaissance: to the eighth anniversary of birth

Victor Alexandrovich Frolkin was a soviet scientist who, in the conditions of the Iron Curtain, created scientific research based on global information resources. It was his feat. 

Keywords: music, Renaissance, Iron Curtain, musicology in the USSR, V.A. Frolkin

B.P. Borisov

pp. 152-157

Features of image and style in the works of the artist Svetlana Demkina

The article is the first experience in scientific generalization of the creativity of Krasnodar artist Svetlana Demkina. The author traces the degree of influence of Russian and foreign masters on the formation of Demkina’s talent, as well as reveals the features of figurative characteristics and author’s style of the master.

Keywords: Art of the South of Russia; creativity of Svetlana Demkina; features of distinct style in monumental decorative and easel works; specificity of representative expressiveness.

S.L. Dmitrieva

pp. 157-160

Keeping Gnesin traditions (from the expiarience of ensemble departments of universities of Krasnoyarsk and Krasnodar)

The article is devoted to one of the outstanding musicians A.D. Gotlib and the Department of Chamber music of Gnesin Academy. Principles of ensemble pedagogy and their realizing in activity of Chamber Music Departments of Krasnoyarsk and Krasnodar Institutes are considered. 

Keywords: music pedagogy, chamber ensemble, piano duet, traditions, enlightenment.

T.V. Sorokina, O.Ch. Musorin